Within the film industry, there are few directors as distinguishable as Quentin Tarantino. The person responsible for films like Pulp Fiction or Damn bastards He has collaborated with some of the biggest stars in cinema.
There are many elements that make Quentin Tarantino a unique director: the iconic typography in the credits, the trivial dialogues which nonetheless absorb the viewer and often some of the best opening sequences in movie history.
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More than one film by this director has gotten off to a strong start, either by having a huge Christoph Waltz eating the screen or because a couple chat about banalities in a restaurant.
Decide which opening scene of Quentin Tarantino movies is the bestIt seems somewhat complicated, but we are going to review some of the most outstanding.
Kill Bill Vol. 1
The fantastic presentation of Kill Bill Vol. 1 it puts us in the background of how the girlfriend was left in a coma before she connects us fully with the character of Uma Thurman.
It serves as a presentation for the villains, the drama and that genesis of the vendetta that Beatrix Kiddo He will start as soon as he wakes up.
Its sequel will not be on the list, since it has been a summary in which Uma Thurman reminisce about his adventures from the first movie, as he drives to his date with revenge.
We therefore highlight that bloody wedding in which the Lethal Viper Squad sentenced its future at the cost of trying to assassinate the most implacable of its members.
Once upon a time in… Hollywood
As if it were a movie featurette, Tarantino starts Once Upon a Time in… Hollywood with Leonardo DiCaprio y Brand Pitt in full interview.
The sequence is atypical, although it has the director’s identifying patterns, such as dynamic dialogues.
It also marks the relationship between the two leads, a relationship that will be present throughout the film.
Jackie Brown
Another film start that marks the main plot without seeming to is that of Jackie Brownand it does nothing less than bringing together titans like Bridget Fonda, Samuel L. Jackson, and Robert de Niro.
Again, the banal dialogues precede the start of the action that will give rise to the main plot that will torment the character of Pam Grier.
However, the pace of the dialogues is so addictive that not many minutes of footage seem to go away enjoying that now iconic conversation, Tarantino’s trademark.
the hateful eight
If a trip with a prisoner is already a tense situation: add a blizzard and numerous new guests to the party that nobody asked for.
The Hateful Eight is a film, up to a certain point, quite experimental in many aspects that can be criticized, or praised, as the viewer likes.
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However, the opening scene of the Quentin Tarantino film makes you tense as a drumhead, because each new passenger on that stagecoach seeking refuge is more suspicious than the last.
Come on, it’s normal that, while you were watching the movie, you were more pissed off than a turkey at Christmas.
django unchained
And we’re not leaving the Wild West, because our next opening scene is from the unforgettable Django Unchained, with Christoph Waltz in its purest form.
The doctor King Schultz he has a very picturesque way of asking for directions, even if he has to dispatch a group of slavers for it.
In true Bavarian style, he takes care of those wretches before getting the answers (and the ally) he was looking for in young Django.
Reservoir Dogs
before the iconic sequence of the walk reviewing the credits, Reservoir Dogs begins with a restaurant talk of those that have exalted Quentin Tarantino.
A discussion about the meaning of a Madonna song the on itself owes the no leave tips in a restaurant It seems like small talk.
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It is a scene that does not expose the plot of the film itself, but it does something much more important at that point for a film as “reduced” as this one: it introduces us to its protagonists.
Reservoir Dogs revolves its plot around the personality of the dysfunctional group of robbers. This opening scene marks the line that each one will follow throughout Quentin Tarantino’s first feature film as a director.
Pulp Fiction
From a restaurant talk, to THE restaurant talk. Pulp Fiction he bottles all his non-linear action between the two scenes of the robbery of Pumpkin y Honey Bunny to the coffee shop.
The inconsequential chatter of this couple played by Tim Roth y Amanda Plummer it doesn’t seem to lead to anything, until they get to their feet and start the heist.
The good thing is that we won’t know what happens until the end of the film, when everything is counted and John Travolta “come back to life” to watch as a “dangerous son of a bitch” teaches Pumpkin a lesson in staying calm.
Damn bastards
Although part of the list is not based on any ranking, we do consider Inglourious Basterds as the movie that, perhaps, is a step above the others with its impeccable opening sequence.
Hans Landain all its glory, epitomizes through Christoph Waltz’s interpretation the terror from which millions of Jews fled and hid during World War II.
The cruelty hidden behind the kind smile and cordiality of this SS colonel, and the knowledge that Shosanna and his family are hiding on monsieur’s farm LaPaditebring a tremendous contrast of emotions to this scene.
It also helps establish the vengeful plot of Mélanie Laurent’s character, after managing to “escape” from Hans Landa: “Au Revoir, Shoshana”.
Quentin Tarantino is a master when it comes to generating brilliant opening sequences that have made us fall in love and fully immersed in his films, even when they seem not to contribute much to the plot. What is your favourite?
